![]() ![]() The venue also gives songwriters the opportunity to share the story behind the lyrics they were inspired to write. ![]() Those in the audience are asked to silence their cell phones and refrain from speaking in order to immerse themselves in the lyrics.Īll songwriters across every genre of music are welcome to the Redbird to perform their original work, but the venue most frequently features country, blues, folk and Americana music. The Redbird has created an environment in which songwriters display their craft, mainly in solo performances, Burrow said. “My experience as a performer and a songwriter was really the inspiration to want to create a place that was the kind of place that I would want to go play at,” Burrow said. Burrow has written and performed music since he was a teenager and was inspired to create a space for songwriters to comfortably share their work in an intimate setting. The owner of the Redbird, Dallas Burrow, opened the small venue alongside his family. For a non-sounding Earth Day intervention, Rory invites us to consider switching off electrical usage, across the whole of UAL, for one day.The Redbird Listening Room was opened by a New Braunfels family in April 2021 with the vision to create a unique listening experience to hear music and the work of songwriters. Switch Off: Rory Salter (Sound Arts Technician). Each tiny microsound, or grain, represents one person and, taken as a whole, they number ten billion. This piece responds to the mind-boggling number, ten billion, by giving it a sonic form. This unique atmosphere provides listeners with the opportunity to fully experience the artist - their music, their stories, and their artistic process. If this prediction is correct, a staggering population boom will occur over the coming thirty years, at a rate never previously witnessed by mankind. what is a Listening Room A listening room is a quiet, intimate venue for music lovers and musicians to come together for song and storytelling. Sam Richards presents his selections of new, newer and newest music in a kaleidoscope of styles and genres mainly from the 21st century. The United Nations recently predicted that the world population will exceed ten billion by the year 2050. A work that invites us into the sonic world of peat bogs - vital carbon sinks for the earth - composed here across voice, soundscape and modes of storytelling.ġ0 Billion (Binaural Excerpt): Adam Stanovic (Programme Director for Sound and Music). ![]() Peat Song: Julia Schauerman (incoming PhD researcher at CRiSAP, London College of Communication). An unedited ‘walkthrough’ field recording of a data centre that was, at the time (2016), the largest blockchain facility in Europe, in Iceland. KEF 201C: Matt Parker (Former PhD researcher at CRiSAP, London College of Communication). #Listening room fullMade during a residency at Full of Noises (Barrow-in-Furness, UK) in September 2021, Hannah built a series of antennas to pick up the Earth’s natural static: capturing lightning and atmospheric disturbances around Cumbria, UK. Searching for Sferics: Hannah Kemp-Welch (PhD researcher at CRiSAP, London College of Communication). Born out of a residency at Joya arte ecologia in Velez Blanco (southern Spain) the work presents a sonic transect (line) of a mountain’s technocultural ecology. Published on limited vinyl by multi.modal recordings.įrom a Wind Turbine to Vultures (And Back): Kate Carr (PhD researcher at CRiSAP, London College of Communication). An experimental foley (post-production sfx) artwork that propels listening towards a scorched earth scenario in which a more-than-human figure navigates the landscape. Produced as part of a limited vinyl (Systems for a Score), the work is a result of collaborations with UAE-based musicians, artists and school children, improvising and interpreting traditional Emirati weave (Al Sadu) as graphic scores.ĭecoys: Angus Carlyle and Mark Peter Wright (CRiSAP Members, London College of Communication). May the Future Keep its Core: Fari Bradley (PhD researcher at CRiSAP, London College of Communication). Installed as a playback film for the ears, you are invited into a mixture of human, animal, technological and environmental sounds across artistic works that explore the entanglements of atmospheric transmissions, more- than-human worlds, wind turbines, geosonics, data centers and more.įeaturing works by LCC staff and students: The Vinyl Revival Listening Room, located on the third floor of Minneapolis Central Library, has a stereo turntable, 4-channel stereo headphone amplifier. BA Sound Arts and Design course will host a one-off listening room featuring soundworks from staff and researchers from CRiSAP, London College of Communication. ![]()
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